Even though I haven’t been posting as much as usual lately, there was no way I was going to miss out on doing something festive for Halloween! Since one of the things I love the most about Halloween is all the great music, let’s start the celebration with my first Music Monday post of the year. Yup, it is time again to share some more tracks from my ever growing Halloween playlist. While you’re at it, make sure you check out my previous entries as well:
As always, a giant THANK YOU to the folks whose videos I link to.
Her Ghost and the Fog, Cradle of Filth
I’ve had some mixed feelings about selecting bands like Cradle of Filth in the past since pretty much every song by them fits the theme but I wanted to make the list a bit heavier this year. It was the music video that gave this song the edge over other tracks like Cthulhu Dawn and Dusk and Her Embrace.
I Reject, Bile
Let’s keep things loud. Here’s a track from the much better than it had any right to be (and previous Music Monday topic) Mortal Kombat Soundtrack.
Apple of Sodom, Marilyn Manson
Honestly I’m not sure what to say about this one other than it’s both strange and creepy AF.
Strange, REM
And now for something completely different. This song is from the band’s 1987 album Document which has a somewhat incongruous place in my all time top five.
Phantom of the Opera, Me First and the Gimmie Gimmies
Now to pick up the energy a bit while still keeping things light-hearted. I credit my wife with introducing me to this punk cover of a musical classic.
Knights of Shame, AWOL Nation
And I’ll close with a big finish. It’s a long song, but definitely a good one. Just hang in there for a little bit and you’ll see why it made the list.
Music Monday: Nirvana – Lithium (Live at the 1992 MTV Video Music Awards)
Welcome to my first Music Monday of 2020! After posting a musically themed book review to close out last week, I felt inspired to look up a number of songs and performances that were prominently featured by the author. One of the most interesting of these to me personally was Nirvana’s performance of Lithium at the 1992 MTV Video Music Awards.
Before getting into the video, let me set the scene. To fully appreciate this, there are probably three things to explain before we get to the clip.
The Intro: Prior to the taping, the band was warned by network executives not to play their controversial (and occasionally misunderstood) new song titled Rape Me. Critically hailed as a powerful, defiant, and unflinching song against rape and sexual violence, the network wanted no part of it on their watch. At Kurt Cobain’s insistence they opened the set with a taunt before playing a more popular song.
Bass to the Head: Astute viewers will see bassist Krist Novoselic absolutely bean himself after throwing his bass up in the air towards the end of the song. He would recall later: “I was not on my game – the only time I’ve ever dropped it was then in front of 300 million people.” At least he apparently got to enjoy some champagne with Queen guitarist Brian May afterwards.
Hi Axl!: Not to be lost amid the stage destruction portion of the song was (a very young!) Dave Grohl taking the mic to taunt Guns N’ Roses front man Axl Rose. You can get a decent summary of that feud here but, briefly, the two bands shared some words before the show.
And that ends the preamble. Without further ado,l gentlemen, Nirvana (many thanks to the original poster of the video below):
One more playlist coming at you on the final Music Monday before Halloween! Here are five more of my favorites presented once again in no particular order. As always, thank you to the original posters.
Somebody’s Watching Me, by Rockwell (1983)
I’ve been hearing this song everywhere this year! Although I was momentarily tempted to go with the Beatfreakz cover as the more Halloween-y version, I quickly decided that I needed to stick with the original after re-watching the video.
Oogie Boogie’s Song, by Ken Page (1993)
My son has been super into The Nightmare Before Christmas this year so I had to include at least one song from the movie. This one is probably his second favorite, right after This is Halloween (featured last year).
Dead Man’s Party, by Oingo Boingo (1985)
I’m including this one at the risk of leaning a little too heavy on the Danny Elfman stuff this year. The song, however, is such a Halloween party staple that I couldn’t leave it off.
I Put a Spell on You, by Various Artists
Pick your version, Nina Simone, Marilyn Manson, Anne Lenox, Creedence Clearwater Revival, etc. The list goes on and on. This song is awesome and it’s been covered so many times you’re sure to find a version to suit your mood. For this post I’m going with Screamin’ Jay Hawkins. It think it was the laughing and screams that did it for me.
Cannibal Buffet, by Voltaire (2007)
Ahh…Voltaire. It seems only appropriate that I end this list with some silly dark humor. Happy Halloween, folks!
After a brief hiatus, I am bringing back Music Monday just in time to share some of my favorite Halloween songs. There’s no way a list this small can even come close to touching upon all the awesome music for this time of year, but I figured I’d share some of my current favorites anyway. What’s on your playlist this week?
This is Halloween – Marilyn Manson (2008)
It might be somewhat sacrilege to say this, but at the moment I am enjoying this cover a bit more than the original version from the Nightmare before Christmas movie. That feeling may in part be influenced by me wanting a reason to share this fan video someone made using scenes from the anime Soul Eater (the story was so-so, but I loved the artwork!).
Black No. 1 – Type O Negative (1993)
This song has been a Halloween staple for me ever since I learned of its existence back in the early 2000s (and shame on me for not uncovering it sooner). There’s no way you can hear or see this and not think of Halloween.
Hell – Squirrel Nut Zippers (1996)
A bit lighter than the previous two songs, this one came out during the brief swing music revival in the mid-to-late 90s. It’s a frolicking, fun trip into the darker side of the afterlife.
Curse of Millhaven – Nick Cave and the Bad Seeds (1996)
A cheerful number about a teenage girl that makes sport of killing her fellow townsfolk. It has a manic, circus-like energy that just can’t help but hook in the listener.
Werewolves of London – Warren Zevon (1978)
I wanted to include at least one “classic” on this list and I’ve been fond of this one ever since I was little. An irreverent, fun take on the famed creatures of the night.
And, because I couldn’t resist, here’s a bonus track. I’m not quite sure you’d call it a song, but it sure fits the mood perfectly:
What’s he Building in There – Tom Waits (1999)
A gritty, spoken word track told from the perspective of a man wondering what a seemingly eccentric neighbor is doing in their shed. It has a creepy paranoid energy that builds throughout, inciting your curiosity. That eerie feeling is then perhaps taken even higher when you stop to think that maybe it’s the speaker who is the crazy one.
Well, there’s my Halloween list. I hope you enjoyed listening along. Does anyone have any favorites that they’d like share? Feel free to leave a comment and look for my Halloween festivities to continue right on through the big day!
Special Note: Thank you to the YouTubers whose videos I linked to! I assume they are fair use, but if you prefer I take them down from here I will happily comply with your wishes.
And here I am with my second Musical Monday post! It also happens to feature another CD released in 1996, which I guess was a pretty influential year on me music-wise (I was 14). A friend of mine in college once brought up his theory that 1996 was the best year for music in our lifetimes and I must say that I am inclined to agree with him. That, however, is an entirely different discussion so let’s focus instead on the album at hand.
Album: Gravity Kills
Artist: Gravity Kills
Genre: Industrial/Rock
Released: 1996
Description: The band’s debut album, this one runs at a tight 39:18 and its 11 tracks flow smoothly into one another, maintaining an excellent beat throughout the disc. The band mixes heavy guitars and a blend of raw and haunting audio effects with an electronic/pop vibe that I think gives them a slightly more upbeat style than some of the other groups associated with the genre.
My Experience: I first came across this band on track two of the now legendary Mortal Kombat: The Original Motion Picture Soundtrack. While the movie itself is largely forgettable with its painful mid-90s CGI and B-film acting, the soundtrack is another matter entirely and probably worthy of its own Music Monday post at some point down the line. But I digress. Gravity Kills made the disc with a demo version of their song Goodbye that made quite an impression on my teenage self. It inspired me to seek out the CD reviewed here and I quickly became a fan. A year or so later I convinced my mom to let me go to one of their shows on a school night and thus, on an early summer night in 1998 I went to my first ever concert at the Middle East Downstairs in Cambridge, MA.
The Music: At this point I just want to say a big thank you to @GravityKillsMusic for uploading the album to YouTube. This looks like an official band account, so I am putting the link here so anyone interested can check them out. In no particular order my top three tracks from this listening session are Guilty, Enough, and Inside though I must say I still enjoyed them all, especially when taken as a whole.
I’ve been meaning to jump in on this tag for a little while now, but haven’t really been able to fit it into my posting schedule. After spending some time going through my old CDs the other day, I was finally inspired to start making these posts more of a priority.
Album: Evil Empire
Artist: Rage Against the Machine
Genre: Rap/Metal, Rap/Rock, Funk/Metal
Released: 1996
Description: The band’s second record is chock full of all the energy, aggression, and left-leaning/anti-establishment politics that quickly became the group’s signature style. The album’s 11 tracks provide just over 45 minutes of relentless musical assault fueled by frontman Zach de la Rocha’s incendiary vocals and lead guitarist Tom Morello’s mastery of his instrument. From the opening line on People of the Sun (betterturn the bass up on this one) to the closing screams and thrashing guitars on Year of tha Boomerang, this album doesn’t let up for a single moment.
My Experience: I’m going to really show my age on this one, but I remember buying this CD as a teenager (with cash at an actual brick and mortar store) shortly after it was released. It immediately became one of my favorite albums and has retained that status to this day. I’m a huge fan of both the sound and politics of this disc.
One thing that I find really striking listening to this some 22 after its release is how (unfortunately) relevant it still feels despite leaning so heavily on activist causes of its day. With songs touching on topics like systemic racism, police brutality, domestic violence, the military-industrial complex, and Palestinian resistance to the expansion of Israeli settlements all these tracks remain frustratingly applicable to our modern world, perhaps none more so than Without a Face, which is sung from the perspective of a Mexican worker secretly crossing the US border to make money to send back home.
Top Three Tracks: This was a hard decision. I have my favorites, but this is one of those albums for me where every track is really, really good. Anyway, in no particular order, here are the three (with select lyrics) that I’ve chosen to highlight. Yes, there were painful omissions made.
1. Bulls on Parade
One of the first singles off of the album, the track criticizes the military-industrial complex in the United States and the government’s spending priorities:
Weapons, not food, not homes, not shoes Not need, just feed the war cannibal animal I walk tha corner to tha rubble, that used to be a library Line up to the mind cemetery now What we don’t know keeps the contracts alive and movin’ They don’t gotta burn tha books, they just remove ’em While arms warehouses fill as quick as the cells Rally round tha family, pocket full of shells
There’s also a fantastic music video for this song as well. As if I haven’t already dated myself enough in this post, I first saw this as a grainy two-inch by two-inch movie file I downloaded from AOL back in the day. Here’s a look at much better version:
2. Down Rodeo
This track got a lot of airplay in my area and serves as a call to arms against the forces of consumerism, greed, and elitism. Its chorus takes the listener on an imaginary drive through the ultra-luxury shopping scene on Rodeo Drive in Beverly Hills:
So, now I’m rollin’ down Rodeo with a shotgun These people ain’t seen a brown-skinned man Since their grandparents bought one
It then goes on to look at the reality faced by those on the outside of all the opulence:
Them pen devils set the stage for the war at home Locked without a wage, you’re standing in the drop zone The clockers born, starin’ at an empty plate Mama’s torn hands, cover her sunken face We hungry but them belly full The structure is set, ya never change it with a ballot pull
3. Wind Below
I’ll end with what is probably one of the lesser known tracks. Drawing its name from the philosophy of the Zapatista movement, this powerhouse of a song looks at how the wealthy and powerful use their position to manipulate and exploit the rest of the world’s population:
Flip this capital eclipse
Them bury life wit’ IMF shifts, and poison lips
Yo they talk it, while slicin’ our veins yo so mark it
From the fincas overseers, to them vultures playin’ markets
She ain’t got nothing but weapon and shawl
She is Chol, Tzotzil, Tojolobal, Tzeltal
As well as closer to home examples:
And GE is gonna flex and try and annex the truth And NBC is gonna flex and cast their image in you And Disney bought the fantasies and piles of eyes And ABC’s new thrill rides of trials and lies And while the gut eaters strain to pull the mud from their mouths They force our ears to go deaf to the screams in the south
And with that I will wrap up the first of hopefully many Musical Mondays. Thank you and credit to Genius and @RATMVIVO for providing the lyrical and video content provided.
